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dc.contributor.authorLingaas, Carola
dc.contributor.authorBartoszko, Aleksandra
dc.date.accessioned2023-05-10T13:35:54Z
dc.date.available2023-05-10T13:35:54Z
dc.date.created2023-05-08T14:27:41Z
dc.date.issued2023
dc.identifier.citationJournal of Genocide Research. 2023,en_US
dc.identifier.issn1462-3528
dc.identifier.urihttps://hdl.handle.net/11250/3067523
dc.descriptionThis is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properlycited. The terms on which this article has been published allow the posting of the Accepted Manuscript in a repository by the author(s) or with their consent.en_US
dc.description.abstractWhat role do user-generated GIFs (Graphics Interchange Format) have in social media and how do they contribute to distorted representations of genocides? This article analyses the availability of GIFs in Facebook Messenger in light of Facebook’s own Community Standards that prohibit the sharing of content with references to “dangerous individuals.” The company explicitly proscribes the representation of perpetrator(s) of multiple-victim violence. This article examines the narrative power of GIFs related to the Holocaust, the former Yugoslavia, and the Khmer Rouge regime in Cambodia and the representation of political and military leaders. Our systematic search documents a selective execution of the Community Standards as well as selective censorship of génocidaires. Rather than analysing how users create and Facebook manages these GIFs, we take this observation as a troubling indication of selective portrayal of historical truths. By making some perpetrators hypervisible, GIFs privilege certain narratives, while simultaneously muting the crimes and victims. While much attention has been given to social media’s power to (mis)represent and (re)create truths about ongoing conflicts, less attention has been given to the representation of past conflicts. Few studies examine the role of GIFs in the representation of historical figures. Drawing on memory studies and studies of historical and social representation, this article contributes to filling this gap. It argues that Facebook creates and reproduces a distorted understanding of “dangerous individual.” GIFs depicting convicted perpetrators of genocide are especially problematic given current strong trends of denialism and revisionism in countries like Serbia.en_US
dc.language.isoengen_US
dc.publisherTaylor & Francis Groupen_US
dc.rightsNavngivelse 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/deed.no*
dc.subjectremembranceen_US
dc.subjectsocial representationen_US
dc.subjectdenialismen_US
dc.subjectgenocideen_US
dc.subjectsocial mediaen_US
dc.title“Dangerous Individuals”: Erasing or enhancing genocidal perpetrators in social media GIFsen_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
dc.rights.holder© 2023 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Groupen_US
dc.source.pagenumber1-23en_US
dc.source.journalJournal of Genocide Researchen_US
dc.identifier.doi10.1080/14623528.2023.2205685
dc.identifier.cristin2146190
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1


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