Vis enkel innførsel

dc.contributor.authorEide, Tom
dc.date.accessioned2011-01-20T08:33:54Z
dc.date.available2011-01-20T08:33:54Z
dc.date.issued2009
dc.identifier.issn1532-7000
dc.identifier.urihttp://hdl.handle.net/11250/98891
dc.description.abstract‘Understood complexity’ is a term of Albert Hirschman (1976) whose economicpolitical theory of ‘exit’ (‘vote with your feet’) versus ‘voice’ (feedback or use your influence for change) (1970), has often been used to (try to) understand whistleblowing (Alford, 2001; Maclagen, 1998). Real complexity is not linear and cannot be adequately studied an model of ‘A causes B’. Complexity entails ‘A causes B’ in a situation wherein ‘B causes A’. Bateson in his ‘ecology of the mind’ understood the circularity of the hermeneutic of complexity; while Weick did not in his theory of sense-making. I argue in this article, via an examination of a play of Ibsen, that circular thinking spiraling towards new insight(s) is much more a possibility of literature (studies) than of social science. Social complexity theory needs (at least partially) I believe to methodologically merge with literary studies.en_US
dc.language.isoengen_US
dc.publisherISCE Publishingen_US
dc.relation.ispartofseriesE:CO Emergence: Complexity & Organization;3
dc.subjectlitteraturkritikken_US
dc.subjectlitteraturvitenskapen_US
dc.subjectHenrik Ibsenen_US
dc.titleUnderstood Complexity: Ibsen’s ‘An Enemy of the People’—On Complexity, Sense-Making, Understanding, and Exit/Voice/Loyaltyen_US
dc.typeJournal articleen_US
dc.typePeer revieweden_US
dc.source.pagenumbers. 1-15en_US


Tilhørende fil(er)

Thumbnail

Denne innførselen finnes i følgende samling(er)

Vis enkel innførsel